No Surprises Chord : No Surprises - Radiohead lyrics Chords - Chordify / Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret.
No Surprises Chord : No Surprises - Radiohead lyrics Chords - Chordify / Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret.. There are no surprises, it is a one hundred percent iq record: Then of course for you a7 in this form. We have a basic e chord and it wouldn't be a blues without an e7 chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening).
There are no surprises, it is a one hundred percent iq record: Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a diminished chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Then of course for you a7 in this form.
There are no surprises, it is a one hundred percent iq record: We have a basic e chord and it wouldn't be a blues without an e7 chord. We have a diminished chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). Then of course for you a7 in this form.
We have a diminished chord.
There are no surprises, it is a one hundred percent iq record: We have a diminished chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Then of course for you a7 in this form. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a basic e chord and it wouldn't be a blues without an e7 chord.
We have a diminished chord. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a basic e chord and it wouldn't be a blues without an e7 chord. There are no surprises, it is a one hundred percent iq record: Then of course for you a7 in this form.
Then of course for you a7 in this form. We have a basic e chord and it wouldn't be a blues without an e7 chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a diminished chord. There are no surprises, it is a one hundred percent iq record:
Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret.
There are no surprises, it is a one hundred percent iq record: Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a basic e chord and it wouldn't be a blues without an e7 chord. We have a diminished chord. Then of course for you a7 in this form.
Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). There are no surprises, it is a one hundred percent iq record: Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. We have a diminished chord. We have a basic e chord and it wouldn't be a blues without an e7 chord.
We have a basic e chord and it wouldn't be a blues without an e7 chord. Then of course for you a7 in this form. There are no surprises, it is a one hundred percent iq record: We have a diminished chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening).
Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret.
Then of course for you a7 in this form. We have a basic e chord and it wouldn't be a blues without an e7 chord. Studied well and played equally well, with a composition that is not stellar but which is compensated by an excellent arrangement and by more than discreet sounds (even if overproduced as we said in opening). We have a diminished chord. Now we use a kind of a d7 shape high up here on the ninth, the eighth and the seventh fret. There are no surprises, it is a one hundred percent iq record:
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